Monday, November 11, 2013

Reform Failure
Yiwen Chen

The play “Teahouse” by Lao She and the short story “Diary of a Mad Man” by Lu Xun both described China with harsh wording and circumstances, and illustrated how people lived miserable lives in the reform society.  It is surprising that such works from both of these writers would get published at that time. The play and the short story described the Chinese society as miserable, hopeless, and needing change. Even with the reforms that were going on at that time, the stories described China as a corrupt nation. Lu Xun used a metaphorical approach and Lao She used a first person approach to describe the society at that time. Both of these works are worth examining and their intended purpose for publishing their works is very interesting.
            Lao She’s “Teahouse” focused on the daily lives of many people gathering at a teahouse to gossip about the society and politics. Despite a sign that says not to talk about politics, politics and the government seemed to be the main focus of the conversations in the teahouse. Through the characters’ conversations, we can learn about how people truly felt at that period of time. The Cultural Revolution was going on at that time, and reformers were trying to unite the people in China. In the “Teahouse”, reader can hear from a primary source how the emergence of reformers and the government have changed people’s lives. In one scene, a Fourth Customer quotes, “This guy Tan, and that other guy, Kang Youwei- weren’t they advocating cutting off our stipends and makings us work for a living? Pretty damn mean (Lao 40).” This is very ironic. As we have learned in class, reformers such a Kang Youwei were advocating the people to change and to adapt the Western style of thinking. They believed that in order to save China, the common people must be educated and be willing to change. Their goal was to make China stronger and not let the foreigners look down upon the Chinese people. However, we can tell from this quote that people are not viewing reformers like Kang Youwei as heroes. Instead, they are taking away the people’s money. The Fourth Customer believed that Kang want people to work even longer and is making their lives much harder.
In another scene from the “Teahouse”, a peasant woman tried to sell her daughter for two silvers (Lao 34). This shows how immoral the Chinese society was. The reforms were taking place at that time, and yet, the moral values of the society are still so low. Lao She is trying to say that the reforms, in reality, are not helping China. It is helping in some degree, but to fundamentally chance the whole country that is poverty stricken from the wars is very hard. Similarly, Lu Xun reiterates this idea in this “Diary of a Mad Man”. He writes, “Even gouged out his heart and liver. Fried them up and ate them to bolster their own courage (Lu 34).” In this quote, the main character is describing what the villagers had done when the famine broke out. They practiced cannibalism and were not ashamed. This practice is extremely immoral and the main character thought the society is very sick and needs change. Lu Xun is using metaphor here. He is comparing the immoral villagers to the people in the Chinese society. The reform efforts are not actually helping to improve the lives of the people. In “Teahouse”, the woman has to sell her children because she needs money. In “Madman”, villagers had to eat people because there was not enough food. Both of the writers wanted the audience to realize that this is happening because the lives of the common people are very harsh. The reformers and leaders of China are gaining power and wealth. On the contrary, the common people are still living in poverty and their status seems hard to change. The rich keeps on getting richer and the poor just keeps on getting poorer.
Lao She’s and Lu Xun’s works have put this rational into the people’s minds of how corrupt China was. They purposely focus on the bad aspects of the society in terms of morality. The main character in “Diary of a Madman” says, “You can change! You can change from the bottom of your hearts! You ought to know that in the future they’re not going to allow cannibalism in the world anymore (Lu 40).” Through the voice of the main character, Lu Xun is arguing that society can be changed. If everyone would be educated on the fact that cannibalism is wrong, then people would stop this practice. Lu Xun ends with “Save the children (Lu 41).” This is might the reason that the government of China has allowed Lu Xun’s work to be published. He is urging the people to change by describing the terrible society that practices cannibalism. Lao She does the same thing in the epilogues in the play. The epilogues supported communism and gave people new hope. It legitimated his paper or the government would not have let him successfully publish it.
Despite the similarity between the two works, there were also many differences. The audience was able to better understand a character in Lao She’s work because it is a play. We can put ourselves in each character’s shoes and truly see their experiences and the reasoning for their certain actions. A description was given in the beginning of each scene to set the time and place for the play. The play creates a primary evidence for the audience to hear about the daily lives of the people. Lao She’s play has a more intimate feeling because we are able to hear from each character. Lun Xun’s work takes on a different approach. It still talks in the first person narrative but the audience is limited to the main character’s point of view only. The short story leaves a profound memory because of its content.

The works of Lao She and Lu Xun has left marks in the journey of Cultural Revolution in China. Their bold moves and mouth-opening content has surprised but yet touched many people’s hearts. They voiced the true conditions in the Chinese society. They called for change and presented a different view of the society. Not only do we see reformers calling for change, but also the results of the changes. Disregarding the successfulness of the reforms, we can see that China has come a long way socially, politically, and emotionally. Lao She and Lu Xun have described China and the miserable society in which its people lived in. Overall, both of the writers have been very influential and their works have brought many questions to the effective of the reforms. 


Works Cited:

Lao, She. Teahouse. Hong Kong: Chinese UP, 2004. Print.

Lu, Xun. Diary of a Madman and Other Stories. Honolulu: University of Hawaii, 1990. Print.

Wednesday, October 9, 2013

The Movement Towards Cultural Revolution

The Movement Towards Cultural Revolution
Yiwen Chen

The beginning of China’s movement toward the Cultural Revolution could not have been successful without the influences of many reformers and of the prominent writers in the late 1800s and in the early 1900s. Most famous of the reformers were Liang Qichao and Kang Youwei. Both of them had studied aboard and had adapted to the Western style of thinking. These two activists would catalyst the Cultural Revolution that will soon begin to take place around this time period. Other influential writers include Tian Han, Wu Jianren, and Shi Pingmei. The works of these writers all shared the idea that the Chinese society had been significantly left behind compared to the Western culture.  The protagonists in theirs works often end in tragedy as he/she fights for the freedom of choice and life.
Liang Qichao, a student of Kang Youwei, obtained his Western style education in Japan. His writings often dealt with political, social, and cultural issues in China that needed reform. When addressing about the Chinese society, Liang quotes, “Therefore, if we wish the body to live for a long time, we must understand the methods of hygiene. If we wish the nation to be secure, rich, and honored, we must discuss the way for ‘renewing the people’(pg. 289 Liang).” From this quote, we can tell that Liang believes the way to reform the society is to educate the population. Like keeping a good hygiene, renewing the people’s minds is necessary for China to survive long term. Liang opposed the traditional Confucian way of thinking, believing that it will ruin the country. He joined Kang Youwei in the Hundred Days of Reform to promote the idea that isolation will not only make China fall behind other countries but could also lead to the destruction of China.
 In ‘Renewing the People’, Liang quotes, “All people have responsibilities toward others that they ought to fulfill, and all people have responsibilities to themselves that they ought to fulfill. Not fulfilling one’s responsibility to others is indirectly to harm the group, while not fulfilling one’s responsibilities to oneself is directly to harm to group (Liang pg.293).” Liang believed that the society should work together as a whole to fill the responsibilities of their positions. He felt that it was his job to bring the people together to educate them on the new better Western ideas. However, this quote seems quite contradictory. If a woman was to marry a man by arranged marriage, should she fulfill her position as a daughter and listens to her parents or should she fulfill her own responsibility to marry the man the she loves? According to Liang, whichever choice would directly or indirectly hurt the society. In Tian Han’s ‘The Night a Tiger was Captured”, Liangu refused to listen to her parents to marry Chen. She quotes, “Father, you can beat me till I die, but I will not let him go (Tian Han pg.27).” Liangu has chosen to abandon her Confucian virtues of filial piety. The floating Western ideas around that time period and her rich family background might have contributed to this decision. This story not only had a heart shattering ending but also an important point. Tian Han is introducing the audience to the choice of freedom. Though constrained by her family and society, Liangu chose to be with her lover. The fact that she opposed her parents and made the decision on her own was very shocking to the society at that time. Another important point in this novella is wealth and money.  Liangu’s parents arranged her marriage with a wealthy family’s son. They opposed Liangu’s lover because his family was too poor. Tian Han is trying to tell the audience how superficial Liangu’s parents are. The combination of the parent’s traditional thinking and Liangu’s Western influenced thoughts ended in a tragedy.
Another important writer during this time period is Wu Jianren. In his, ‘Sea of Regret’, Dihua’s life was being tormented by her passion and loyalty to her family. It is ironic how passion, a positive thing to have, could cause some much pain in one’s life. The chapter opens with the quote, “In a discourse on passion an evil practice in condemned; as her mother departs this life, a young girl is left alone (Hanan pg.171).” This quote foreshadows that Dihua’s mother was going to die. Tian Han emphasized on the idea of passion through the character of Dihua. Dihua’s passion for the responsibilities of a daughter/fiancĂ©’s touched the hearts of many readers. Dihua did not have to take care of her dying mother nor did she have to enter the nunnery after the death of her fiancĂ©. Tian Han is emphasizing the traditional ideas in this story. Though the Boxer rebellion was taken place, Dihua was not affected by the Western ideas. This story would have convinced many readers at the time period in China to think about the Western influences and how it can transform the way of life for many young people like Dihua.
Similar to Tian Han’s piece, the memoir written by Shi Pingmei narrates her struggle with her family, and how she has adopted the Western ideas to free herself from her family. She states in her memoir, “I am a superfluous member of family and society. My only burden in life, aside from my anguish at my weakness in the face of the trampling, bullying, mockery and jeers of the world (Ng pg. 67).”  At a young age, Shi Pingmei was denied the right to food and education from her family. Instead of taking what society and family is giving her, Shi fought back. This idea of rebellion contradicted the old habit of society and well matched the Cultural Revolution that was going on. This memoir is especially important because it singles out the life and struggles of a woman fighting back with the old society. Others works had women figures such as Dihua, but they did not totally break free from the old Chinese tradition. Dihua followed her tradition virtues and lived the Confucian way of life. On the other hand, Shi Pingmei challenged the old tradition. She was ready to completely leave the past behind and move on to the more Western style of living. Her writings became an inspiration for other women reformers at the time period.

China’s movement toward the Cultural Revolution was slowed paced and did not happen in a day. The works of these significant reformers and writers gradually reached the mass public. The ideas behind their works are in unison. China’s movement toward revolution would have been much slower paced without the hard work and bold moves of these activists and writers.

Works Cited

Hanan, Patrick, Lin Fu, and Jianren Wu. The Sea of Regret: Two Turn-of-the-Century Chinese Romantic Novels. Honolulu: University of Hawaii Press, 1995. 1-205. Print.

Liang, QiChao. Bay de Theodore. Lufrano Richard. “Sources of Chinese Tradition.” Vol. 2. 1999. 285-303. Print.

Ng, Janet. Wickeri, Janice. “May Fourth Women Writers: Memoirs” Shi PingMei 1996. The Research Centre for Translation. 7-121. Print.

Tian Han & Randy Barbara Kaplan “The Night a Tiger Was Captured” Asian Theatre Journal, Vol. 11, No.1. (Spring, 1994), 1-34. Print.